Personal Essay: Prejudice -- Personal Narrative

I. BACKGROUNDThe location was a moderate to large surface city near the east coast ofMassachusetts. The city has a mix of all races and is diverse in its racialdistri more everywhereion. It is a city where most of the hatful are middle class workingfolks. While it is a moderate size city, it has few city problems such ashomelessness, poverty and violence.The year was 1992 and it was the summertime. It was really hot and humidat about 1130 at night and I was in a car driving around looking for somethingto do. It was a boring Tuesday night so I decided to go to a big video arcadehangout called Funworld. There is a subprogram of video games as well as youngpeople. The establishment is a large building with a large parking lot.I was with three early(a) people in the parking lot when we were approachedby a group of three former(a) gentlemen. I myself am a caucasian male chthonian 21years of age. Two of the people I was with were upperclass caucasian males alsounder the age of 21. The last person was also under 21 and male, but he was Afro-American. One of the caucasians was a close friend and another was anacquaintance. The African-American was also a friend of mine. Of the threegentlemen that approached us, two were hispanic males that appeared to be over21 and the other was a caucasian male that appeared over 21, although I couldntbe sure. Although I didnt want to make any judgements about them, they lookedas if they were gravely dressed and over 21. So I deduced that they were in agang or they were drug dealers, high school dropouts, etc..II.ACTIONAt first it appeared as if both groups would just pass by each otherunnoticed but the caucasian male in the other group made a racist remark aboutmy African-American friend. He said Look at those dumb dudes walking with thatfucking spade. My African-American Dave turned around suddenly and said Whatthe fuck did you say? The caucasian male retorted None of your fuckingbusiness dick At this point both groups appr oached each other and then myfriend Dave said You wanna go, in response the other kid said Lets go andshoved him in the chest. The other two of the caucasian males friends jumpedon top of Dave and then we all kind of got into a fight. We were mostly justpushing and shoving each other at first.After about a molybdenum of pushing... ...his fightalone was a melting pot of individuals. I think in my mind that the fat thatDan was white affected his decisions, not in a big way, but in some sort of way.I dont really know about the other three, but as for Chris and I, race affectedus in terms of white and hispanic because thats who we were mad at the most. Idont know why this would be the case, but it just was.I believe that African-American viewing this would wear felt the moststrongly. The event they would imbibe sen unfolding in front of them would havehurt a lot. They would have jumped in to assistant not only my friend Dave but alsoall of us because we were all trying to fight for the same thing out there.African-Americans also would have been puzzled as to why one white man would champion out a black man but not two. The way events unfolded would have made themthink twice.In an odd way I feel another thing that would have made people jump into help was the fact that a caucasian and an African-American were fighting foreach other . As much as we hate to admit it that is not a stab we see nearlyenough of in this day and age. Something has got to be done about itimmediately.

Private Cable Tv :: essays research papers

Private Cable TVThe times are achanging...How France, Germany and Sweden introduced private, cable and planet TV - acomparison over the past 10 years.1. INTRODUCTIONWhy we have chosen this subject?Before starting to write about TV in Sweden, Germany and France, we wanted tocompare French,German and Swedish media. but on account of the wideness of thisanalysis, we decided to focus on the evolution of TV dealing during these get going 10 years.The technical revolution which has appeared in this area since 1980 is necessaryto be understood to be able to follow and forecast what will happen in thefuture when multinational companies can take a look on pan-european broadcasting.In this paper we try to make the point on this changes. Furthermore as we camefrom different countries and live now in an other one, we found it interestingto compare the three countries (France, Germany and Sweden) TV-broadcastingsystem.While we were searching for datas, we discovered the gap that exists in cabl e- application between France and the two other countries. What are the main reasonsof this delay? Are they political, financial or cultural? We will try to answerthese questions in our paper. But we will first define the different technicalterms that we are going to focus on. Then we will developp the birth of privatechannels, their regulations, laws and financing in the different countries.2. BASICSIn our paper you will find the following technical terms terrestrial broadcasting this is the basic technology used to broadcast radioand TV. Its the use of radio-frequencies that can be received by a simple advance. The problem by using terrestrial broadcasting is, that you scarce have afew (up to max. 7) possible frequencies and that you need to have expensivetransmitters every 100-150 kms to cover an area.Programms which are broadcasted terrestrical are e.g. Swedish TV 1, 2 and 4German ARD, ZDF, 3. Programme and some private channels in urban areas FrenchTF 1, France 2 and France 3. cable TV the reason why you have tho a few frequencies by using terrestrialbroadcasting is that terestrial broadcasting is influenced by physical phenomens(bandwith) whereas broadcasting in a cable is shielded/ protected from outsideinfluences. So you can have more channels on the same bandwith-space. Forexample a cable might carry 7 programmes catched with an antenna fromterrestrical transmitters and additional 25 satellite channels (maximum 30-35different channels in one cable). Instead of connecting to an antenna cable-households connect their TV-sets to the cable-network. satellite broadcastinga satellite is a transmitter that is positioned on a course in space 40.

In this essay I will be discussing the playwrights ideas of :: English Literature

In this essay I will be discussing the toywrights ideas ofManliness, Hostility and Aggression in A deliberate from the Bridge.A View from the Bridge is a play set in Brooklyn in the 1940s. Theprotagonist is Eddie, an Italian immigrant and longshore globe living inBrooklyn. Eddie lives with his wife and niece, and the play startswith them waiting for the reaching of Beatrices two cousins, Marco andRodolpho. They are illegal immigrants looking for become in order tofund their families at home in Italy. Rodolpho and Catherine seem tolike each other, which upsets Eddie, as he seems to love Catherine formore than erect a daughter or niece. This ultimately leads to thedownfall of Eddie. The ideas of manliness, hostility and aggressioncreate conflict in the play as Eddie and Marco are both battling to bethe man of the house. These ideas also create conflict between Eddieand Rodolpho because, in Eddies eyes, Rodolpho does not live up tothe expectations of what a man should be. Eddie is also jealous ofhim, because of Rodolphos relationship with Catherine.A view from the Bridge deals with the American Dream this is thatimmigrants came from countries, such as Italy, in order to make abetter life for themselves. Arthur milling machine was concerned with thisliving through the Depression, which bankrupted his father, and he sawthe effects on the ordinary people. The play can be described as a Hellenic tragedy set in America. The play is set in the 1940s and soreflects the attitudes and feelings of the time, this is why it may bea little difficult for a advanced(a) day audience to relate to. America wasseen as the land of opportunity for many people, to start a new life,escape their past or just for a change .People believed America heldthe key. However, this was not the case, as immigrants often lived inthe most run down parts of town and found themselves out of work andwith little money to live on or send to their families at home.The qualities that Eddie considers t o be manly are the stereotypical,traditional views of manly qualities. One of these qualities is to bestrong. Eddie tries to throttle Rodolpho by getting him to box withhim. Eddie is a good boxer and has had many years practise, howeverRodolpho has never boxed. He is reluctant to box with Eddie I dontwant to collide with you, Eddie. Another quality that Eddie considers to bemanly is for a man to provide for his family.

Critique of a Website Essay -- Website Design Analysis Essays Papers

Critique of a WebsiteWeb sites are just like powder stores, newspapers, brochures, menus, or nevertheless directions on how to make nitroglycerin from house-hold goods, in that they each have to be put together in such a manner that whoever is reading or browsing over it will be equal to(p) to clearly distinguish this from that. In this sense, a critique of any particular web site will have justification, while carefully considering also that this is an in all new medium of information exchange. Now, all of this talk of togetherness is actually a general reference to basic design principles, such as coloring material coordination, if color is used, text size, font choice/ style, art integration, accessibility, and just plain and simple design of the page. For example, it wouldnt be all that appealing to the eyeball if a page beingness viewed had all the text jumbled up in a corner, so small your eyes were bleeding by the time you figured out that it wasnt even worth the troubl e. Darn. Its important to rememeber, especially these days, that what you read is as important as how it looks. Have you ever tried reading an interview in a Raygun magazine? Kinda hard, right? Design totally for its own sake is nice, as art that is, and admittedly it looks cool. However, its two in the morning and youre standing in tilt at the corner 7-11 trying to pay for your 40 ounce bottle of Kool-Aid, and you happen to see that your favorite MTV Pearl Crap-clone band is on the cover of this pelvis magazine and you go to read it, but you cant. Its not because to you failed elementary school three times in two years, but because the maestro in accuse decided to get fancy with it and thought itd be cool if he hid the text under a black box or likewise photograph. I like to loo... ...the misifits skull in the background. nice.http//www.lehigh.edu/pj12/kubrick.html--clockwork orange... at times I wish I had those eye-lid clamps for some of my classes, that and bottle of visine, too. its a nicely designed page, with slews of information on his films. I forgot he was the one who directed dr. strangelove, a personal classic of mine.http//www.ee.pdx.edu/caseyh/horror/hellraiser/--im a clive barker fan, so this one was an obvious pick for me. lots of information anybody could ever want to know about the cenobites and the hellraiser mythology.http//nw.demon.co.uk/barkerverse/--the official clive barker web site... duh. I particularly enjoyed this site because it contained much information on him and batch of graphics and pictures from his new movie, Lord of Illusions, and others. Besides, it was nicely put together.

Messiaen’s Quartet for the End of Time - Quator Pour Le Fin Du Temps Es

Messiaens Quartet for the End of magazine - Quator Pour Le Fin Du TempsTechnical and Interpretative Challenges Presented to Performers in Messiaens Quartet for the End of TimeOlivier Messiaen (1908-1992) played a significant part in the evolution of twentieth-century music, influencing a number of other composers with his innovative compositional techniques. The Quartet for the End of Time, is not one of Messiaens typical works due to the circumstances in which it was composed (his main outputs were organ, orchestral and choral works), yet it marks the start of the significant use of some of these techniques.In 1940, Messiaen was called up to serve in the army as a hospital orderly, but was briefly captured by the Germans and taken to a prisoner-of-war camp. Here, suffering from food deprivation and extreme gapd, he had the idea of composing a piece for the End of Time. There were cardinal musicians on the camp himself (a pianist), a violinist, a cellist and a clarinettist and so he wrote a quartet. Performers of the work need to consider the circumstances down the stairs which the piece was composed and also the reaction it created at the first performance of it. This was in front of the entire prison camp in January 1941 where, says Messiaen, never acquit I been listened to with such attention and understanding. Messiaen had no choice on what instruments the piece was written for, the group of instrumentsto large to allow the piano to express itself freely, yet alike small to obtainvariety of timbre, and his way around this was to obtain maximum variety of which they are capable. By exploiting each instrument in so many different ways to create different timbres, the technical challenges faced by the performers are endless. Musi... ...o performers),Quote 11 demonstrates the need to control the sound when there is a sudden change in articulation.Quote 12 demonstrates the need to be in control of the instrument when faced with an unusual and challengi ng technique col legno is to use the wooden side of the bow on the cello strings which is particularly difficult for control of intonation.Quote 13 demonstrates the need to be in control of intonation within the ensemble. This is the case in all sections of the Quatuor scored for two or more parts in octaves.Bibliography ed. Hill, Peter, The Messiaen Companion chapter entitled The End of Time a Biblical Theme in Messiaens Quatuor , (London Faber and Faber 1995)Johnson, Robert Sherlaw, Messiaen, chapters entitled Birdsong, Christianity and Symbolism and The Works of the War Years Quatuor pour la Fin du Temps (1940-41),

Messiaen’s Quartet for the End of Time - Quator Pour Le Fin Du Temps Es

Messiaens Quartet for the annihilate of Time - Quator Pour Le vertical stabilizer Du Tempstechnical foul and Interpretative Challenges Presented to Performers in Messiaens Quartet for the End of TimeOlivier Messiaen (1908-1992) played a significant part in the evolution of twentieth-century music, influencing a number of some other composers with his innovative compositional techniques. The Quartet for the End of Time, is not one of Messiaens typical works due to the circumstances in which it was composed (his main outputs were organ, orchestral and choral works), but it marks the start of the significant use of some of these techniques.In 1940, Messiaen was called up to serve in the army as a hospital orderly, but was soon captured by the Germans and taken to a prisoner-of-war camp. Here, suffering from food deprivation and extreme cold, he had the idea of composing a piece for the End of Time. There were four musicians on the camp himself (a pianist), a violinist, a cellist an d a clarinettist and so he wrote a quartet. Performers of the work extremity to consider the circumstances under which the piece was composed and also the reaction it created at the first performance of it. This was in front of the entire prison camp in January 1941 where, says Messiaen, never have I been listened to with such attention and understanding. Messiaen had no choice on what instruments the piece was written for, the group of instrumentsto large to allow the piano to fetch itself freely, yet too small to obtainvariety of timbre, and his way around this was to obtain maximum variety of which they are capable. By exploiting each instrument in so many different ways to create different timbres, the technical challenges faced by the performers are endless. Musi... ...o performers),Quote 11 demonstrates the need to control the hale when there is a sudden change in articulation.Quote 12 demonstrates the need to be in control of the instrument when faced with an unusual an d dispute technique col legno is to use the wooden side of the bow on the cello strings which is particularly difficult for control of intonation.Quote 13 demonstrates the need to be in control of intonation within the ensemble. This is the case in all sections of the Quatuor scored for two or more parts in octaves.Bibliography ed. Hill, Peter, The Messiaen Companion chapter entitle The End of Time a Biblical Theme in Messiaens Quatuor , (London Faber and Faber 1995)Johnson, Robert Sherlaw, Messiaen, chapters entitled Birdsong, Christianity and Symbolism and The Works of the War Years Quatuor pour la Fin du Temps (1940-41),